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Original Artworks for Sale
With Wings as Eagles
2024
Oil on canvas
91 x 61 cm
Currently unframed
$2,900 AUD
Every now and then I feel inspired to do an artwork of a more spiritual nature and this is one such work. It is inspired by a passage from the book of Isaiah, chapter 40:27-31, which reads: Why sayest thou, O Jacob, and speakest, O Israel, My way is hid from the LORD, and my judgment is passed over from my God? Hast thou not known? hast thou not heard, that the everlasting God, the LORD, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the LORD shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint. I created this artwork as an encouragement to myself - a reminder that when I wait on God, when I lean on Him, look to Him and depend on Him, I will know a strength that is not my own and be raised up when I would otherwise fall. This oil painting measures 90 x 60 cm (stretched canvas) and features the South African 'Crowned Eagle'. Many thanks to Serval Paul Photography for the photo of the eagle that I worked from. I added in a dramatic sky to help capture the overall feel that I wanted in this work.
Oil on canvas
91 x 61 cm
Currently unframed
$2,900 AUD
Every now and then I feel inspired to do an artwork of a more spiritual nature and this is one such work. It is inspired by a passage from the book of Isaiah, chapter 40:27-31, which reads: Why sayest thou, O Jacob, and speakest, O Israel, My way is hid from the LORD, and my judgment is passed over from my God? Hast thou not known? hast thou not heard, that the everlasting God, the LORD, the Creator of the ends of the earth, fainteth not, neither is weary? there is no searching of his understanding. He giveth power to the faint; and to them that have no might he increaseth strength. Even the youths shall faint and be weary, and the young men shall utterly fall: but they that wait upon the LORD shall renew their strength; they shall mount up with wings as eagles; they shall run, and not be weary; and they shall walk, and not faint. I created this artwork as an encouragement to myself - a reminder that when I wait on God, when I lean on Him, look to Him and depend on Him, I will know a strength that is not my own and be raised up when I would otherwise fall. This oil painting measures 90 x 60 cm (stretched canvas) and features the South African 'Crowned Eagle'. Many thanks to Serval Paul Photography for the photo of the eagle that I worked from. I added in a dramatic sky to help capture the overall feel that I wanted in this work.
My Unseen Companion
2023
Pen and ink
A3
Frame size: 71 x 61 cm
$900 AUD
In General, my artworks are based on direct observation or drawing/painting things from real life as I see them. But occasionally, I have a yearning in my spirit to create something with a deeper meaning - something that ties in with my Christian faith. Ever since I first watched a cartoon version of C.S. Lewis’ classic story The Lion, the Witch and the Wardrobe back when I was a boy, I have loved the land of Narnia and the Great Lion, Aslan. I grew to love the story of The Horse and His Boy a few years ago (I didn’t enjoy it so much as a boy). There was a lot about the boy Shasta that resonated with me - he gave voice to many of the cries of my boyhood soul. Those cries have remained with me and have deepened over the years. In recent times I have found myself crying, “God, where are you?” I was drawn to read The Horse and His Boy at one point in this confusing mist and read of Shasta riding along a lonely, misty path and hearing a creature pacing along beside him. That creature was Aslan himself - who revealed to Shasta that he had been with him, watching over him and protecting him since birth.
Inspired and tremendously encouraged by this, I was stirred to convey the imagery and meaning in an artwork - to serve as a continual reminder to me that I am not, never have been and never will be truly alone. My aim was not to perfectly recreate the imagery from the story but to use it as a springboard for an image that truly captured my heart’s response to it. In a way, it is a self portrait. I am the boy walking in the mist and the Great Lion is Christ. Downcast is my lonely soul, tearful eyes look down with bowed head - but then - a Great Voice speaks.
I wanted to give the work an illustrative style - using fineliner pen to create rhythmical line-work. The mist is implied by the empty background. Tiny flowers caress the passing feet - unnoticed blessings. For the frame, I wanted to compliment the weightiness and illustrative nature of the drawing and go with something that had the feel of an old museum/library. Painting an ornate frame black helped achieve this.
Pen and ink
A3
Frame size: 71 x 61 cm
$900 AUD
In General, my artworks are based on direct observation or drawing/painting things from real life as I see them. But occasionally, I have a yearning in my spirit to create something with a deeper meaning - something that ties in with my Christian faith. Ever since I first watched a cartoon version of C.S. Lewis’ classic story The Lion, the Witch and the Wardrobe back when I was a boy, I have loved the land of Narnia and the Great Lion, Aslan. I grew to love the story of The Horse and His Boy a few years ago (I didn’t enjoy it so much as a boy). There was a lot about the boy Shasta that resonated with me - he gave voice to many of the cries of my boyhood soul. Those cries have remained with me and have deepened over the years. In recent times I have found myself crying, “God, where are you?” I was drawn to read The Horse and His Boy at one point in this confusing mist and read of Shasta riding along a lonely, misty path and hearing a creature pacing along beside him. That creature was Aslan himself - who revealed to Shasta that he had been with him, watching over him and protecting him since birth.
Inspired and tremendously encouraged by this, I was stirred to convey the imagery and meaning in an artwork - to serve as a continual reminder to me that I am not, never have been and never will be truly alone. My aim was not to perfectly recreate the imagery from the story but to use it as a springboard for an image that truly captured my heart’s response to it. In a way, it is a self portrait. I am the boy walking in the mist and the Great Lion is Christ. Downcast is my lonely soul, tearful eyes look down with bowed head - but then - a Great Voice speaks.
I wanted to give the work an illustrative style - using fineliner pen to create rhythmical line-work. The mist is implied by the empty background. Tiny flowers caress the passing feet - unnoticed blessings. For the frame, I wanted to compliment the weightiness and illustrative nature of the drawing and go with something that had the feel of an old museum/library. Painting an ornate frame black helped achieve this.
Wading in the Shallows
2024
Gouache
A3
Frame size: 45 x 62 cm
$700 AUD
It is amazing how certain colours and imagery can evoke such strong feelings and stir up memories or longings. The vibrant flamingo and turquoise waters are such examples. Both transport our minds and emotions to calm, relaxing, tropical places - stirring up thoughts of vacations and bringing a sense of peace to the soul.
Gouache is a fairly new addition to my artistic repertoire. I had used it a bit back when I did the Advanced Certificate of Art and Design at Outer Eastern TAFE in Watirna, Melbourne. But, since then, I had left it alone - until I decided to explore the medium with my art students this year (2024). Gouache is similar to watercolour but can be used with less water, giving a more opaque appearance. The two mediums can work well together - with the watercolour underneath and gouache on top. Gouache is useful for highlights and its reflective qualities makes for vibrant artworks. It has a very fast drying time so blending can be challenging but this contributes to a fresh, spontaneous look.
I painted 'Wading in the Shallows' with gouache - in conjunction with my art classes - thinking that flamingos would be a fun and suitable subject to start off with. A series of flamingo paintings is now building with each new attempt I make. For the framing, I chose light colours that added to the “beachy” feel of the artwork.
Gouache
A3
Frame size: 45 x 62 cm
$700 AUD
It is amazing how certain colours and imagery can evoke such strong feelings and stir up memories or longings. The vibrant flamingo and turquoise waters are such examples. Both transport our minds and emotions to calm, relaxing, tropical places - stirring up thoughts of vacations and bringing a sense of peace to the soul.
Gouache is a fairly new addition to my artistic repertoire. I had used it a bit back when I did the Advanced Certificate of Art and Design at Outer Eastern TAFE in Watirna, Melbourne. But, since then, I had left it alone - until I decided to explore the medium with my art students this year (2024). Gouache is similar to watercolour but can be used with less water, giving a more opaque appearance. The two mediums can work well together - with the watercolour underneath and gouache on top. Gouache is useful for highlights and its reflective qualities makes for vibrant artworks. It has a very fast drying time so blending can be challenging but this contributes to a fresh, spontaneous look.
I painted 'Wading in the Shallows' with gouache - in conjunction with my art classes - thinking that flamingos would be a fun and suitable subject to start off with. A series of flamingo paintings is now building with each new attempt I make. For the framing, I chose light colours that added to the “beachy” feel of the artwork.
Cute Koala
2024
Colour Pencil
A4
Frame size: 38.7 x 49 cm
$400
Koalas are an iconic Australian animal - and one of the cutest creatures in existence. I thought it would be fun to draw koalas in my art classes for homeschool children. We used colour pencils (despite mainly using grey and black) to shade and colour the work. I enjoyed recreating the texture of the fur. Following the final lesson, I pushed my drawing further to achieve the result you see now - a rather cute and fluffy koala, ready for hugs.
Colour Pencil
A4
Frame size: 38.7 x 49 cm
$400
Koalas are an iconic Australian animal - and one of the cutest creatures in existence. I thought it would be fun to draw koalas in my art classes for homeschool children. We used colour pencils (despite mainly using grey and black) to shade and colour the work. I enjoyed recreating the texture of the fur. Following the final lesson, I pushed my drawing further to achieve the result you see now - a rather cute and fluffy koala, ready for hugs.
Resting by the River
(Werribee River, Werribee)
2024
Watercolour and gouache
Frame size: 60 x 52 cm
$750 AUD
Over the years, I have paid many visits to the National Gallery of Victoria (NGV) - especially while undertaking my BEd in Visual Arts at the University of Melbourne. May favourite part to visit has always been the early Australian art section that features works by colonial, romantic and impressionist artists. Included among these is John Glover - an English-born landscape painter who moved to Tasmania in the colonial era. He, and others like him, were faced with strange, exotic vegetation and a markedly different colour palette when viewing the Australian landscape. They struggled at times to accurately portray what they saw and these early landscape paintings were often ‘picturesque’ in style and the colours were more akin to the European palette.
Earlier this year, my students and I examined artworks by colonial artist, John Glover - comparing his english landscapes with his portrayals of the local area where he lived in Tasmania. Each of us attempted to capture a typically Australian landscape using watercolours as if we were seeing it through European eyes - making scenes that look more manicured with lush, vibrant colours.
In Resting by the River, we have a scene showing the Werribee River in the 'picturesque' style. This is one of the delights I get to enjoy when walking not far from my home. It has often struck me how English this section of the river appears and it has translated across very well as a watercolour painting in the colonial tradition.
2024
Watercolour and gouache
Frame size: 60 x 52 cm
$750 AUD
Over the years, I have paid many visits to the National Gallery of Victoria (NGV) - especially while undertaking my BEd in Visual Arts at the University of Melbourne. May favourite part to visit has always been the early Australian art section that features works by colonial, romantic and impressionist artists. Included among these is John Glover - an English-born landscape painter who moved to Tasmania in the colonial era. He, and others like him, were faced with strange, exotic vegetation and a markedly different colour palette when viewing the Australian landscape. They struggled at times to accurately portray what they saw and these early landscape paintings were often ‘picturesque’ in style and the colours were more akin to the European palette.
Earlier this year, my students and I examined artworks by colonial artist, John Glover - comparing his english landscapes with his portrayals of the local area where he lived in Tasmania. Each of us attempted to capture a typically Australian landscape using watercolours as if we were seeing it through European eyes - making scenes that look more manicured with lush, vibrant colours.
In Resting by the River, we have a scene showing the Werribee River in the 'picturesque' style. This is one of the delights I get to enjoy when walking not far from my home. It has often struck me how English this section of the river appears and it has translated across very well as a watercolour painting in the colonial tradition.
Admiring the View
(The Glasshouse Mountains, QLD)
2024
Watercolour
Frame size: 54 x 44 cm
$750 AUD
In 2023, I paid my first visit to Queensland - catching up with family and enjoying a much-needed rest. I stayed in Caloundra and from there, took several trips to nearby Montville and Maleny. Along the way, I had magnificent views of the Glasshouse Mountains - almost pyramid-like formations rising above the surrounding plains. Glimpses of these mountains could be seen through gaps in the vegetation while driving and then appeared in all their glory where there were clearings. 'Admiring the View' shows one such scene. It was painted with watercolours in a 'picturesque' style.
The white frame with double blue matboard and white pin-stripe help to give the 'holiday vibe' to this painting.
2024
Watercolour
Frame size: 54 x 44 cm
$750 AUD
In 2023, I paid my first visit to Queensland - catching up with family and enjoying a much-needed rest. I stayed in Caloundra and from there, took several trips to nearby Montville and Maleny. Along the way, I had magnificent views of the Glasshouse Mountains - almost pyramid-like formations rising above the surrounding plains. Glimpses of these mountains could be seen through gaps in the vegetation while driving and then appeared in all their glory where there were clearings. 'Admiring the View' shows one such scene. It was painted with watercolours in a 'picturesque' style.
The white frame with double blue matboard and white pin-stripe help to give the 'holiday vibe' to this painting.
Sunflower
2024
Pen and ink
10 x 15 cm
Frame size: 31.3 x 39 cm
$350 AUD
It is no surprise that many artists over the centuries have portrayed flowers in their artworks. Flowers are an accessible and generally affordable source of inspiration and beauty - perfect for observational studies. Some flowers, because of the linear nature of their petals, are very suitable for line drawings. Sunflowers are one such example. The natural folds, ripples and swirls of their petals and the magnificent, bountiful seed heads offer the artist a great variety of lines, shapes and forms to study and recreate. The sunflower well deserves its name with petals spreading out like fiery tongues of flame surrounding the large round face. This particular sunflower drawing was created using pen and ink.
I wanted to play around with colour for the framing of this piece. Given that that drawing is black and white but portraying a warm, bright flower, I decided to use a gold matboard beneath the paper with a dusty green for the main matboard. The drawing is raised above the gold base and the green sits slightly higher than the drawing so that the artwork appears to float.
Pen and ink
10 x 15 cm
Frame size: 31.3 x 39 cm
$350 AUD
It is no surprise that many artists over the centuries have portrayed flowers in their artworks. Flowers are an accessible and generally affordable source of inspiration and beauty - perfect for observational studies. Some flowers, because of the linear nature of their petals, are very suitable for line drawings. Sunflowers are one such example. The natural folds, ripples and swirls of their petals and the magnificent, bountiful seed heads offer the artist a great variety of lines, shapes and forms to study and recreate. The sunflower well deserves its name with petals spreading out like fiery tongues of flame surrounding the large round face. This particular sunflower drawing was created using pen and ink.
I wanted to play around with colour for the framing of this piece. Given that that drawing is black and white but portraying a warm, bright flower, I decided to use a gold matboard beneath the paper with a dusty green for the main matboard. The drawing is raised above the gold base and the green sits slightly higher than the drawing so that the artwork appears to float.
Flamingo in Dancing Light
2024
Gouache
A3
Frame size: 43.8 x 54 cm
$700 AUD
Flamingo in Dancing Light is the second in a series of gouache paintings undertaken during my recent art classes. While Wading in the Shallows captures a familiar tropical beach scene, this piece has a somewhat different feel - with more pronounced brushstrokes and greater energy, movement and vibrancy. Sunlight catches the rippling waves - light dancing upon the water.
I chose a white frame with custard yellow matboard and pink highlight to match the playfulness and cheerful, summery feel of the artwork.
Gouache
A3
Frame size: 43.8 x 54 cm
$700 AUD
Flamingo in Dancing Light is the second in a series of gouache paintings undertaken during my recent art classes. While Wading in the Shallows captures a familiar tropical beach scene, this piece has a somewhat different feel - with more pronounced brushstrokes and greater energy, movement and vibrancy. Sunlight catches the rippling waves - light dancing upon the water.
I chose a white frame with custard yellow matboard and pink highlight to match the playfulness and cheerful, summery feel of the artwork.
Frog in the Pond
2022
Watercolour
A3
Frame size: 64 x 54 cm
$900 AUD
One of the greatest watercolour artists this world has known didn’t exhibit in the grand galleries of Europe. Instead her work appeared in tiny books written to delight children with tales of little bunnies, ducks, squirrels and frogs. Beatrix Potter did much to endear watercolours to the general population and she was a true artist in her own right. Her powers of observation, love of beauty and nature, child-like imagination and mastery of her craft combined to produce works that have inspired many a budding artist, illustrator and author.
In 2022, Miriam - whom I tutored in art for close to a year - asked if we could try painted something that showed a sense of movement. I chose for us an image that I found of a frog nestled among lily pads - its form reflected in the still water as its head poked above the surface. My watercolour paintings were usually tighter - using smaller, more subtle brushstrokes but this time to create a sense of movement I used larger, sweeping strokes - particularly in capturing the ripples of the water. As the work progressed, my thoughts were frequently turned to Beatrix Potter and her delightful, translucent paintings and illustrations. To complete the work, I used gouache in places - adding greater vibrancy where needed and aiding the sense of movement and depth.
‘Frog in the Pond’ was named after a delicious, simple dessert that my grandma used to make for us when we were kids - consisting of a Freddo Frog chocolate resting in a bowl of green jelly with blobs of cream and various treats on the surface. It was originally housed in a different frame but kindly allowed me to swap it over when a magnolia painting coveted its frame. The deep blue matboard with gold trim complement the painting while drawing the eye to the image itself.
Watercolour
A3
Frame size: 64 x 54 cm
$900 AUD
One of the greatest watercolour artists this world has known didn’t exhibit in the grand galleries of Europe. Instead her work appeared in tiny books written to delight children with tales of little bunnies, ducks, squirrels and frogs. Beatrix Potter did much to endear watercolours to the general population and she was a true artist in her own right. Her powers of observation, love of beauty and nature, child-like imagination and mastery of her craft combined to produce works that have inspired many a budding artist, illustrator and author.
In 2022, Miriam - whom I tutored in art for close to a year - asked if we could try painted something that showed a sense of movement. I chose for us an image that I found of a frog nestled among lily pads - its form reflected in the still water as its head poked above the surface. My watercolour paintings were usually tighter - using smaller, more subtle brushstrokes but this time to create a sense of movement I used larger, sweeping strokes - particularly in capturing the ripples of the water. As the work progressed, my thoughts were frequently turned to Beatrix Potter and her delightful, translucent paintings and illustrations. To complete the work, I used gouache in places - adding greater vibrancy where needed and aiding the sense of movement and depth.
‘Frog in the Pond’ was named after a delicious, simple dessert that my grandma used to make for us when we were kids - consisting of a Freddo Frog chocolate resting in a bowl of green jelly with blobs of cream and various treats on the surface. It was originally housed in a different frame but kindly allowed me to swap it over when a magnolia painting coveted its frame. The deep blue matboard with gold trim complement the painting while drawing the eye to the image itself.
Fozzie Bear
2023
Chalk pastel
A3
Frame size: 43.5 x 54 cm
$600 AUD
Saturday nights when we lived in East Bentleigh often consisted of fish and chips - or more correctly, potato cakes and chips - while sitting in front our black and white TV watching Candid Camera and The Muppet Show. They were fun times. I’ve been a life-long fan of the Muppets ever since (with the exception of a few productions here and there).
In 2023, my students and I spent a good chunk of time exploring all things chalk pastel. In the class that my nieces attend (for homeschoolers), the girls were desperate to draw ‘characters’. I agreed to their request and it didn’t take me long to decide on my character - it would, of course, be a Muppet of some kind. Fozzie Bear seemed a perfect choice with his honey-coloured fur and cheerful smile.
I enjoyed laying down rich colours and using strong contrasts to give Fozzie form and depth. The pastels leant themselves brilliantly to capturing his fur. I couldn’t help but feel warm inside drawing this huggable, cheerful character. The black frame and mount with gold trim set him off perfectly and well-suit a bear of the stage.
Chalk pastel
A3
Frame size: 43.5 x 54 cm
$600 AUD
Saturday nights when we lived in East Bentleigh often consisted of fish and chips - or more correctly, potato cakes and chips - while sitting in front our black and white TV watching Candid Camera and The Muppet Show. They were fun times. I’ve been a life-long fan of the Muppets ever since (with the exception of a few productions here and there).
In 2023, my students and I spent a good chunk of time exploring all things chalk pastel. In the class that my nieces attend (for homeschoolers), the girls were desperate to draw ‘characters’. I agreed to their request and it didn’t take me long to decide on my character - it would, of course, be a Muppet of some kind. Fozzie Bear seemed a perfect choice with his honey-coloured fur and cheerful smile.
I enjoyed laying down rich colours and using strong contrasts to give Fozzie form and depth. The pastels leant themselves brilliantly to capturing his fur. I couldn’t help but feel warm inside drawing this huggable, cheerful character. The black frame and mount with gold trim set him off perfectly and well-suit a bear of the stage.
Brick Dude
2024
Colour pencil
A4
Frame size: 31 x 39 cm
$330
Lego holds many wonderful memories for me from my childhood. It was a sad day when I felt too old to play Lego anymore - but I'm encouraged to see how it has become so popular with adults these days!
In one of my art classes that I teach, we all had a go at drawing a Lego character using direct observation with graphite and colour pencils. Perhaps my character originally had a hat but this was how he was presented to me.
I chose a bold, deep blue with thin strip of gold to tie in with the Lego theme.
Colour pencil
A4
Frame size: 31 x 39 cm
$330
Lego holds many wonderful memories for me from my childhood. It was a sad day when I felt too old to play Lego anymore - but I'm encouraged to see how it has become so popular with adults these days!
In one of my art classes that I teach, we all had a go at drawing a Lego character using direct observation with graphite and colour pencils. Perhaps my character originally had a hat but this was how he was presented to me.
I chose a bold, deep blue with thin strip of gold to tie in with the Lego theme.
Rainbow Trout
2023
Watercolour
A3
Frame size: 62.5 x 45 cm
$700 AUD
Sometimes, I like to give my students the opportunity to choose the theme/subject for our next artwork. One of the boys is an avid fisherman and loves nothing better than going on fishing trips with his dad to remote places known for good fishing. He jumped at the chance to paint a rainbow trout - a fish well known to his hook and plate.
We took a few weeks worth of lessons to draw the fish, build layers of colour and create a sense of depth and form. It was a joy for me to get to the point where my rainbow trout truly looked like it was basking in water - the shadows helping to lift the fish from the river bed. I was equally pleased with the gem-like qualities of the pebbles - slightly blurred by the water’s refractive qualities and lit up by the overhead sun. The impressionistic background contrasts well the sharpness of the trout. The trout rests contentedly - blissfully unaware that a young boy has cast his eye in its direction and is dreaming of a fish supper.
The light-wood frame and triple matboards (lilac, gold and purple) provide a restful border for this tranquil scene.
Watercolour
A3
Frame size: 62.5 x 45 cm
$700 AUD
Sometimes, I like to give my students the opportunity to choose the theme/subject for our next artwork. One of the boys is an avid fisherman and loves nothing better than going on fishing trips with his dad to remote places known for good fishing. He jumped at the chance to paint a rainbow trout - a fish well known to his hook and plate.
We took a few weeks worth of lessons to draw the fish, build layers of colour and create a sense of depth and form. It was a joy for me to get to the point where my rainbow trout truly looked like it was basking in water - the shadows helping to lift the fish from the river bed. I was equally pleased with the gem-like qualities of the pebbles - slightly blurred by the water’s refractive qualities and lit up by the overhead sun. The impressionistic background contrasts well the sharpness of the trout. The trout rests contentedly - blissfully unaware that a young boy has cast his eye in its direction and is dreaming of a fish supper.
The light-wood frame and triple matboards (lilac, gold and purple) provide a restful border for this tranquil scene.
Frog Bathing
2023
Watercolour
6.5 x 8.5 cm
Frame size: 25 x 30 cm
$280 AUD
I’ve always loved frogs. Kermit clinched the deal for me. It’s hard to explain exactly why, however, frogs have my affection. They’re not cuddly and don’t follow you around or go for walks - and yet life just seems more restful and full - more healthy and abundant and perhaps a little more adventurous when frogs are around.
I rarely paint on such a small scale as this piece, but being time poor I had thought a tiny watercolour could be squeezed in. And thus, ‘Frog Bathing’ was born. A green and gold frog bathes happily among the water lilies - anticipating light refreshments anytime now.
The overlapping matboard forms a window - a glimpse into a minute section of a garden which could easily be overlooked by the careless observer.
Watercolour
6.5 x 8.5 cm
Frame size: 25 x 30 cm
$280 AUD
I’ve always loved frogs. Kermit clinched the deal for me. It’s hard to explain exactly why, however, frogs have my affection. They’re not cuddly and don’t follow you around or go for walks - and yet life just seems more restful and full - more healthy and abundant and perhaps a little more adventurous when frogs are around.
I rarely paint on such a small scale as this piece, but being time poor I had thought a tiny watercolour could be squeezed in. And thus, ‘Frog Bathing’ was born. A green and gold frog bathes happily among the water lilies - anticipating light refreshments anytime now.
The overlapping matboard forms a window - a glimpse into a minute section of a garden which could easily be overlooked by the careless observer.
For any enquiries regarding the purchase of original artworks, contact me at info@robertkingdomart.com. Please note that due to the fragile nature of framed artworks, unless small in size, postage will not be practical and the customer will need to collect the item in person (unless they arrange for a courier to pick up and deliver the work). Original artworks are located in Werribee, VIC, Australia. Postage may be possible for unframed items at an additional cost.
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